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	<title>typenowhere</title>
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	<link>http://johnpauldowling.com/typenowhere</link>
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		<title>The A-List Sessions</title>
		<link>http://johnpauldowling.com/typenowhere/2012/01/31/the-a-list-sessions/</link>
		<comments>http://johnpauldowling.com/typenowhere/2012/01/31/the-a-list-sessions/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 13:17:23 +0000</pubDate>
		<dc:creator>fran</dc:creator>
				<category><![CDATA[Jobs]]></category>

		<guid isPermaLink="false">http://johnpauldowling.com/typenowhere/?p=2839</guid>
		<description><![CDATA[Design a logo for &#8216;The A-List Sessions&#8217; for the initiative launch in February 2012. We are looking for a vibrant, dynamic graphic designer who&#8217;s motivated and enthusiastic with fresh ideas, [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Design a logo for &#8216;The A-List Sessions&#8217; for the initiative launch in February 2012.</strong></p>
<p>We are looking for a vibrant, dynamic graphic designer who&#8217;s motivated and enthusiastic with fresh ideas, and has a passion for brand development.</p>
<p>Here is a chance to take part in a major competition, allowing you to work alongside one of the capitals most promising Artist Development companies. If your work is selected, you will benefit from:</p>
<p>-  Gaining exposure for your work through the music industry</p>
<p>-  Having a &#8216;real world&#8217; high profile project in your portfolio</p>
<p>-  Affiliating yourself with an established music organisation</p>
<p>-  Associating your work with two major, internationally acclaimed charities [ the NSPCC &amp; The Musicians Benevolent Fund ]</p>
<p>-  £150.00 Award Bursary for your development</p>
<p>Sounds interesting? Please read on&#8230;</p>
<p>Arcadium Studios in Notting Hill is a boutique music recording studio and production house, which is not only a favourite location for high profile artists and major record labels, but also has an established a track record for developing new talent.</p>
<p>The management team behind Arcadium, are now launching a brand new initiative, The A-List Sessions. The A-List Sessions primary objective is to develop young up and coming artists. The organisation works in association with major charities, The NSPPC and The Musicians Benevolent Fund.</p>
<p>In a nutshell, we are looking for you to design a logo for The A-List Sessions brand, one that embodies our ethos and embellishes all of our qualities as an organisation. This is an important opportunity for one of you to become part of our team &#8211; and have your work integrated into the representation of our business.</p>
<p>In order to take part in this competition, you simply need to…</p>
<p>a)  Send us an email at <a href="mailto:info@arcadiumstudios.com">info@arcadiumstudios.com</a>, stating your name, university, and course name, telling us you wish to enter the competition. Please feel free to also send any additional information about yourself or examples of your work. Once you have emailed us our team will email you back directly to confirm you place in the competition.</p>
<p>b)  Ensure your design submissions are sent in by the deadline of Friday, 10 February 2012 submitting your designs to <a href="mailto:info@arcadiumstudios.com">info@arcadiumstudios.com</a>.</p>
<p>Upon a final design being selected, a winner will be announced and we will be in touch with you all directly.</p>
<p>We sincerely look forward to the chance of working with you. Please see the brief below for full details of what is required. For any inquiries, please get in touch at <a href="mailto:info@arcadiumstudios.com">info@arcadiumstudios.com</a>, or alternatively contact the team on (+44)0 2030 867 798.</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p>&nbsp;</p>
<p>THE DESIGN BRIEF</p>
<p>1. What is needed?</p>
<p>Design a logo for &#8216;The A-List Sessions&#8217; for the initiative launch in February 2012.</p>
<p>Must include a colour scheme and font for the company address.</p>
<p>2. Background information</p>
<p>The A-List session Mission Statement is as follows:</p>
<p>“The A-List’s primary goal is to reward developing artists and bands with opportunities that enable them to develop themselves and help others through participating in the A-List initiative.</p>
<p>We partner and work alongside the very best music venues and recording studios in London, enabling us to offer artists and bands the ability to record and develop their own music free of commercial charge.</p>
<p>Our community thrives on the simple fundamental principle that if you support one another, then the A-List is able to benefit every aspect and body involved. Whilst our partner studios donate prime recording time, our venues affiliate their artists to us and we bring the opportunities together – it is the musicians that join that make the real difference.</p>
<p>All our A-List members donate a small amount of money as part of their registration to charities we passionately believe in and support. It is only through our charitable partnerships that all of this can be made possible, and we have pledged to ensure the A-List remains true to our values and remains an organisation dedicated to supporting others.&#8221;</p>
<p>3. Key qualities/values to express</p>
<p>Boutique, classy, organic, edgy, cool, bohemian, acoustic, earthy, real, authentic, established, certain/strong, deep, collaboration, credibility, quality, unique.</p>
<p>Examples of visual style: Aesthetic of All Saints Clothing/Firetrap (in-store interior design and feel)</p>
<p>Qualities to AVOID: X Factor imagery, brash, in your face, loud, hype, cheap, cheesy, flashy, industrial, corporate, bombastic, money, shoutey,</p>
<p>4. Target Audience</p>
<p>Up and coming organic musicians, mainly consisting of quality singer-songwriters, acoustic folk/rock acts, live bands who cannot necessarily afford studio time. The branding needs to attract these artists to join the A list, making them feel like they belong to a special association with other like minded people. To make this audience feel impressed by the professionalism and quality of the brand and its association with new talent, inspiring them to want to play their part in joining the A-List.</p>
<p>5. Where will it be used?</p>
<p>The logo will be used on the website, on digital banners, business cards, Twitter, Facebook.</p>
<p>Also on stationery, badges, flyers, brochures, posters, magazines, displays.</p>
<p>6. Which format?</p>
<p>The logo needs to work on small items as well as large, on white or dark backgrounds, on digital and print. Must be able to provide:</p>
<p>- as outlined vector files, also eps, jpg and tiffs.</p>
<p>- in three sizes, small, medium and large.</p>
<p>- in following versions: white on a transparent background, black and colour.</p>
<p>7. When is the deadline?</p>
<p>All entries must be submitted to <a href="mailto:info@arcadiumstudios.com">info@arcadiumstudios.com</a> by 5pm on Friday 10th February 2012.</p>
<p>&nbsp;</p>
<p><a href="http://johnpauldowling.com/typenowhere/wp-content/uploads/2012/01/A_list_IntroBrief.pdf">Full brief pdf &#8230;</a></p>
<div></div>
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		<title>Variations of a typographer</title>
		<link>http://johnpauldowling.com/typenowhere/2012/01/25/variations-of-a-typographer/</link>
		<comments>http://johnpauldowling.com/typenowhere/2012/01/25/variations-of-a-typographer/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 10:34:28 +0000</pubDate>
		<dc:creator>fran</dc:creator>
				<category><![CDATA[Type & Print]]></category>

		<guid isPermaLink="false">http://johnpauldowling.com/typenowhere/?p=2814</guid>
		<description><![CDATA[Variations of a typographer A two-day typographic conference 14–15 March 2012 Birmingham Institute of Art &#38; Design, a Faculty of Birmingham City University 1-day £25 &#124; 2-day £40 (concessionary ticket) [...]]]></description>
			<content:encoded><![CDATA[<div>Variations of a typographer</p>
<p><strong>A two-day typographic conference</strong><br />
<strong> 14–15 March 2012</strong></p>
<p>Birmingham Institute of Art &amp; Design, a Faculty of Birmingham City University</p>
<p>1-day £25 | 2-day £40 (concessionary ticket)</p>
<p><a href="http://www.typographichub.org/diary/entry/variations-on-a-typographer/" target="_blank">www.typographichub.org</a></p>
</div>
<div>
In the past typographers required both erudition and a knowledge of printing processes, including that of punch-cutting, type founding and printing; and only those who combined a knowledge of all three were fit to be styled a typographer.</p>
<p>By the early twentieth century the definition of typographer was restricted to the designer of a printed page as distinct from the compositor or machine operator. Nowadays ‘typographer’ has become a vague term, which takes no account of the inherent differences that technology has brought to the discipline: typography is no longer a vocation but an emergent profession difficult to define.</p>
<p>Whether typography can be accounted an ancient calling or a new profession, it requires a high degree of discipline and technical knowledge. In this technological age, surely some way is needed of distinguishing between the ancillaries of the profession and the truly literate and practical typographer?</p>
<p>This symposium will look at the changing roles of typography’s past; examine the nature of typography’s present; and soothsayer into typography’s future.
</p></div>
<div>
<strong>SPEAKERS</strong></p>
<p><strong>Rob Banham</strong>, Lost in film: design and production in the twentieth century:  <strong>Vince Connare</strong>, ‘We are the 99%’:  <strong>Priscila Farias</strong>, Tropical types: São Paulo city 19th century typographers:  <strong>Antero Ferreira</strong>, Design catalogue for the Archive of the University of Coimbra (2005–11): ortho-microtypography in scientific texts:  <strong>Jessica Glaser</strong>, The graphic sandwich:  <strong>Barbara Henry</strong>, Reading Walt Whitman’s faces:  <strong>Thomas Milo</strong>, Arabic versus Eurabic:  <strong>Julián Moncada</strong>, Diverse voices: perspectives on gender diversity and the development of type design history:  <strong>Robert Sharl, David Osbaldestin</strong>, The new print:  <strong>Aspasia Papadima, Thomas Photiadis, Evripides Zantides</strong>, The use of eye-tracker technology to evaluate gender perception differences/biases on typeface design and characteristics:  <strong>Alice Savoie</strong>, International cross-currents in typeface design: France, Britain and the US in the phototypesetting era,1949–75:  <strong>Juliet Shen</strong>, The several roles of a bespoke Native American font:  <strong>Vaibhav Singh</strong>, Typography proper: lessons from the Hamiltonian system of interlinear translations in the digital era of multi-script typography:  <strong>Elena Veguillas</strong>, La Tipografía: witness of the changes within the Spanish printing trade:  <strong>Hazel Wilkinson</strong>, Ornamental type and the identification of unknown printers in the hand press period</p>
<p><strong>The full programme of speakers is available for download from the <a href="http://www.typographichub.org/diary/entry/variations-on-a-typographer/" target="_blank">Typographic Hub</a> website.</strong>
</div>
<div>
<strong><em>BOOKINGS FOR THIS EVENT ARE NOW OPEN. </em></strong></p>
<p>A booking form can be downloaded from the <a href="http://www.typographichub.org/diary/entry/variations-on-a-typographer/" target="_blank">Typographic Hub</a> website.
</div>
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		<title>Occupy Design Launch</title>
		<link>http://johnpauldowling.com/typenowhere/2012/01/24/occupy-design-launch/</link>
		<comments>http://johnpauldowling.com/typenowhere/2012/01/24/occupy-design-launch/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 17:46:43 +0000</pubDate>
		<dc:creator>fran</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://johnpauldowling.com/typenowhere/?p=2806</guid>
		<description><![CDATA[Occupy Design Launch: This Space is Not for Hire Saturday 28, Sunday 29 January Bank Of Ideas Sun Street London E2 12pm &#8211; 6pm occupydesign.org.uk This a call to all [...]]]></description>
			<content:encoded><![CDATA[<p>Occupy Design Launch: This Space is Not for Hire<br />
Saturday 28, Sunday 29 January<br />
Bank Of Ideas<br />
Sun Street<br />
London<br />
E2<br />
12pm &#8211; 6pm</p>
<p><a href="http://occupydesign.org.uk/" target="_blank"> occupydesign.org.uk</a></p>
<p>This a call to all designers and anyone interested in design to join us<br />
for a weekend of debate, talks, workshops and action that will launch<br />
Occupy Design.</p>
<p>Why Occupy Design?</p>
<p>Design plays a big part in creating the everyday world we live in.<br />
Designer&#8217;s imagination&#8217;s energy and creativity must be channelled away<br />
from stoking desire for wasteful consumption, whitewashing the dirty and<br />
inhuman acts of corporate power and creating products that harm the<br />
environment into starting to construct the world anew, collectively with<br />
others.</p>
<p>We cannot not change the world. Occupy Design! Designers for Occupy!</p>
<p>http://occupydesign.org.uk/</p>
<p>info@occupydesign.org.uk</p>
<p>http://www.facebook.com/pages/Occupy-Design-UK/311218462254535</p>
<p>https://twitter.com/#!/OccupyDesignUK</p>
<div>
<strong>This Space is Not for Hire Poster Production Workshop</strong></p>
<p>As part of the day we will be organising an image making workshop to work<br />
toward producing posters and visual to publicise the Occupy movement.<br />
If you are interested in getting involved with this workshop please come<br />
prepared with laptops, sketchbook, images, pens, paper and ideas.</p>
<p>Facebook Event Page: http://www.facebook.com/events/325271060845893/
</p></div>
<div>
<strong><a href="http://blog.eyemagazine.com/?p=10577" target="_blank">Higher Ground. Occupy Design is an opportunity to change design, and design for change.</a></strong> A piece on the launch and why Occupy Design for <a href="http://www.eyemagazine.com/" target="_blank">Eye Magazine.</a>
</div>
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		<title>Rebecca Gibbs—Let&#8217;s Talk About Tea</title>
		<link>http://johnpauldowling.com/typenowhere/2012/01/25/rebecca-gibbs-lets-talk-about-tea/</link>
		<comments>http://johnpauldowling.com/typenowhere/2012/01/25/rebecca-gibbs-lets-talk-about-tea/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 14:26:47 +0000</pubDate>
		<dc:creator>fran</dc:creator>
				<category><![CDATA[Student Work]]></category>
		<category><![CDATA[Students 11/12]]></category>
		<category><![CDATA[Type & Print]]></category>

		<guid isPermaLink="false">http://johnpauldowling.com/typenowhere/?p=2833</guid>
		<description><![CDATA[Let&#8217;s Talk About Tea is my response to the second year Type and Print module brief Everything About One Thing. Let&#8217;s Talk About Tea is designed with the British public [...]]]></description>
			<content:encoded><![CDATA[<p>Let&#8217;s Talk About Tea is my response to the second year Type and Print module brief Everything About One Thing.</p>
<p>Let&#8217;s Talk About Tea is designed with the British public in mind, taking influence from British homewares and British tea packaging to educate the British on something so integral to British society. The project covers the history of tea in detail from it&#8217;s beginnings in Chinese history up to British history and the effect that has had on us and our society. It also covers in detail the different varieties of tea available on the market while complimenting this information with both historical and contemporary photographs and imagery.<br />
Completed with a hessian tea sack book jacket, a tea score card and two teas to taste.</p>
<p><a href="http://www.rebeccagibbs.co.uk" target="_blank">www.rebeccagibbs.co.uk</a></p>
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		<title>Sebastian Bland—Disappearing Cities</title>
		<link>http://johnpauldowling.com/typenowhere/2012/01/25/sebastian-bland-disappearing-cities/</link>
		<comments>http://johnpauldowling.com/typenowhere/2012/01/25/sebastian-bland-disappearing-cities/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 10:54:10 +0000</pubDate>
		<dc:creator>fran</dc:creator>
				<category><![CDATA[Motion]]></category>
		<category><![CDATA[Student Work]]></category>
		<category><![CDATA[Students 11/12]]></category>

		<guid isPermaLink="false">http://johnpauldowling.com/typenowhere/?p=2822</guid>
		<description><![CDATA[Lego Disappearing Cities Final from Seb Bland on Vimeo. This was my final project for my 2nd year, and here we were given a brief, which was previously a onedotzero [...]]]></description>
			<content:encoded><![CDATA[<p><object width="626" height="352"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=24170712&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=24170712&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="626" height="352"></embed></object>
<p><a href="http://vimeo.com/24170712">Lego Disappearing Cities Final</a> from <a href="http://vimeo.com/user5409014">Seb Bland</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p>This was my final project for my 2nd year, and here we were given a brief, which was previously a onedotzero brief. The title we were given was Disappearing Cities to which we could do as we pleased with one condition which was that it had to be a 3 minute motion film.</p>
<p><a href="http://www.sebastianbland.co.uk" target="_blank">www.sebastianbland.co.uk</a></p>
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		<title>CJ Brown—Surveillance</title>
		<link>http://johnpauldowling.com/typenowhere/2012/01/24/cj-brown-surveillance/</link>
		<comments>http://johnpauldowling.com/typenowhere/2012/01/24/cj-brown-surveillance/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 17:25:14 +0000</pubDate>
		<dc:creator>fran</dc:creator>
				<category><![CDATA[Student Work]]></category>
		<category><![CDATA[Students 11/12]]></category>
		<category><![CDATA[Type & Print]]></category>

		<guid isPermaLink="false">http://johnpauldowling.com/typenowhere/?p=2802</guid>
		<description><![CDATA[This A1 laser cut poster is apart of a project where I am exploring the notion of the hidden/secret messages which our used within the context of &#8216;Surveillance&#8217;. The piece [...]]]></description>
			<content:encoded><![CDATA[<p>This A1 laser cut poster is apart of a project where I am exploring the notion of the hidden/secret messages which our used within the context of &#8216;Surveillance&#8217;. The piece is a quote by Winston Churchill about the workers at Bletchley Park, an operation which was used throughout WW2 and kept secret for up to 30 years. </p>
<p>www.cj-browndesign.com</p>
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		<title>Louise Iddon—I&#8217;m OK</title>
		<link>http://johnpauldowling.com/typenowhere/2012/01/24/louise-iddon-im-ok/</link>
		<comments>http://johnpauldowling.com/typenowhere/2012/01/24/louise-iddon-im-ok/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 17:12:45 +0000</pubDate>
		<dc:creator>fran</dc:creator>
				<category><![CDATA[Student Work]]></category>
		<category><![CDATA[Students 11/12]]></category>
		<category><![CDATA[Type & Print]]></category>

		<guid isPermaLink="false">http://johnpauldowling.com/typenowhere/?p=2798</guid>
		<description><![CDATA[This piece represents the beginning of my final major project titled lies and deception. I have tried to capture one of the most common deceptions people use to a greater [...]]]></description>
			<content:encoded><![CDATA[<p>This piece represents the beginning of my final major project titled lies and deception. I have tried to capture one of the most common deceptions people use to a greater or lesser extent at some point in their lives. Ever had a headache or fallen over and claimed you are OK when people have asked, all the while you feel anything but?</p>
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		<title>Noah Campeau—4&#8217;33&#8221;</title>
		<link>http://johnpauldowling.com/typenowhere/2012/01/19/noah-campeau-433/</link>
		<comments>http://johnpauldowling.com/typenowhere/2012/01/19/noah-campeau-433/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 09:36:50 +0000</pubDate>
		<dc:creator>typenowhere</dc:creator>
				<category><![CDATA[Student Work]]></category>
		<category><![CDATA[Students 11/12]]></category>
		<category><![CDATA[Level 3 2011/12]]></category>

		<guid isPermaLink="false">http://johnpauldowling.com/typenowhere/?p=2791</guid>
		<description><![CDATA[&#160; I have explored the unpredictable prospects of applying a vague command to a public crowd. My projected type of that reads &#8216;Thank-you for performing between these lines&#8217; was a [...]]]></description>
			<content:encoded><![CDATA[<p><object width="626" height="352" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=33590489&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" /><embed width="626" height="352" type="application/x-shockwave-flash" src="http://vimeo.com/moogaloop.swf?clip_id=33590489&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=00adef&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" allowfullscreen="true" allowscriptaccess="always" /></object></p>
<p>&nbsp;</p>
<p>I have explored the unpredictable prospects of applying a vague command to a public crowd.<br />
My projected type of that reads &#8216;Thank-you for performing between these lines&#8217; was a finalised communication technique that worked best towards drawing in the performers who made this piece what it is.</p>
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		<title>Designer&#8217;s Talk: Fraser Muggeridge</title>
		<link>http://johnpauldowling.com/typenowhere/2012/01/18/designers-talk-fraser-muggeridge-2/</link>
		<comments>http://johnpauldowling.com/typenowhere/2012/01/18/designers-talk-fraser-muggeridge-2/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 10:13:08 +0000</pubDate>
		<dc:creator>typenowhere</dc:creator>
				<category><![CDATA[Guest Speakers]]></category>

		<guid isPermaLink="false">http://johnpauldowling.com/typenowhere/?p=2788</guid>
		<description><![CDATA[Tuesday 31 January, 6pm &#160; Over the last ten years Fraser Muggeridge has built a reputation as one of the most interesting graphic designers working today. He employs an elegantly [...]]]></description>
			<content:encoded><![CDATA[<h1>Tuesday 31 January, 6pm</h1>
<p>&nbsp;</p>
<p>Over the last ten years <a href="http://pleasedonotbend.co.uk/" target="_blank">Fraser Muggeridge</a> has built a reputation as one of the most interesting graphic designers working today. He employs an elegantly pared-down aesthetic in his collaborations with artists, writers and cultural institutions, allowing images and text to sustain their own intent and impact.</p>
<div>Here Muggeridge discusses his approach to this work and the role typography can play within a contemporary art context.</div>
<div></div>
<div><strong>£3, free for Associates. Booking is advised. Please call 0117 929 2266, <a href="mailto:admin@spikeisland.org.uk">email</a> or visit reception for tickets.</strong></div>
<div></div>
<div><a href="http://www.itsnicethat.com/articles/fraser-muggeridge" target="_blank"><strong><strong>Interview with</strong></strong><strong> Muggeridge at <em>It&#8217;s Nice That</em></strong></a></div>
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		<title>Antalis McNaughton Student Designer of the Year</title>
		<link>http://johnpauldowling.com/typenowhere/2012/01/18/antalis-mcnaughton-student-designer-of-the-year/</link>
		<comments>http://johnpauldowling.com/typenowhere/2012/01/18/antalis-mcnaughton-student-designer-of-the-year/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 10:07:29 +0000</pubDate>
		<dc:creator>typenowhere</dc:creator>
				<category><![CDATA[Jobs]]></category>

		<guid isPermaLink="false">http://johnpauldowling.com/typenowhere/?p=2785</guid>
		<description><![CDATA[Student Designer of the Year Category This year we are delighted to announce we have incorporated a Student Designer of the Year category into The Review. We are inviting students [...]]]></description>
			<content:encoded><![CDATA[<div>
<h1>Student Designer of the Year Category</h1>
<p>This year we are delighted to announce we have incorporated a Student Designer of the Year category into The Review. We are inviting students to design the Antalis McNaughton 2013 calendar, giving them some experience of working with print design to a corporate brief.</p>
<p>The 5 best entries, as judged by some of the most highly acclaimed names in the design world, will have their work digitally printed for their portfolio.</p>
<p>The winner of the student category will have their design mass produced and distributed as the Antalis McNaughton 2013 calendar and will be invited to our circus event at Warwick castle on Friday 29th June 2012 – a perfect excuse to network with designers and digital printers across the UK and Ireland.</p>
<p>To view the complete brief, please <a href="http://www.antalis-mcnaughton.co.uk/media/Antalis%20Media/PDF/The%20Review%202011/Student%20brief.pdf" shape="rect" target="_blank">click here</a>. If you would like to take part in the Student Designer of the Year competition, please <a href="http://www.antalis-mcnaughton.co.uk/media/Antalis%20Media/Review2011/application%20form.pdf" shape="rect" target="_blank">click here </a>for an application form. Once you have completed your piece, please <a href="http://www.antalis-mcnaughton.co.uk/media/Antalis%20Media/PDF/The%20Review%202011/Student%20Designer%20of%20the%20Year%20entry%20form.pdf" shape="rect" target="_blank">click here</a> for an entry form.</p>
<p>This opportunity is open to any college or university with design students. If you would like to get involved, contact the Paper Desk on 0870 600 4400 or email.</p>
</div>
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